Creative Imagination and Dream Work for Writers

In my prior blog post, I wrote a post entitled, "Working with Dreams to Develop Your Creative Imagination" (http://www.psychotherapist-nyc.blogspot.com/2011/07/working-with-dreams-to-develop-your.html).

Creative Imagination, Dream Incubation, and Dream Work to Overcome Creative Blocks:
In this blog post, I will focus on how creative imagination and dream work can be a source of inspiration for writers. As I've mentioned before, among the clients that I work with in my psychotherapy private practice in NYC, I work with writers, actors, musicians, composers, and other people who are in the creative arts.

Creative Imagination and Dream Work For Writers

In any creative endeavor, it's not unusual to develop a creative block that gets in the way of doing the work. Dream incubation and the subsequent dream work that is possible from incubated dreams is often very helpful for writers who are experiencing creative blocks or at an impasse in their work.

For instance, if a writer is struggling with a particular character or a scene in a story, he or she can incubate a dream to overcome this impasse. As I mentioned in prior blog posts, to incubate a dream, you can either give yourself a suggestion before going to sleep that you want to have a dream to overcome this impasse or you can work with a psychoanalytically trained psychotherapist who is trained in Embodied Imagination dream work (developed by Robert Bosnak) to help you.

When we do Embodied Imagination dream work for incubated dreams, we not only have access to our own experiences in the dream, we also have access to the experiences of the other characters in the dream.

As I've mentioned before, in Embodied Imagination dream work, we start with our own experiences, but we don't stop there. We also access the experiences of the other characters in the dream. Now, I realize that this might sound odd, but one of the basic concepts of Embodied Imagination is that we make no assumptions about where the dream is coming from or who the other characters are in the dream.

Rather than assuming that the characters are a part of ourselves, as we might in Gestalt or other types of psychotherapy, we make no assumptions. We allow the other characters to have their own "lives" in the dream. This frees us up to experience these characters from their own perspectives. Needless to say, I'm not referring to the type of hallucinations that people with schizophrenia or some other delusional or psychotic disorder might have. All I'm saying is that, for the purpose of doing the dream work, we suspend disbelief in the service of doing the creative dream work and using our imagination. For a fuller explanation of this phenomenon, I recommend that you read Robert Bosnak's book, Embodiment.

So, for example, a writer might incubate a dream about a particular character that he or she is not satisfied with in the story. The dreams that are the result of this incubation would include valuable information about the character, sometimes coming from the character's own mouth.

When we're dreaming, generally, we're in a more relaxed state than in our regular waking experience. This allows us to have access to a deeper sense of our imagination than when we're awake. In these dreams, characters and scenes "come alive" in ways that they often don't in our usual waking consciousness. And it takes no extra time since we would spend the same amount of time sleeping whether we incubated dreams or not.

I also find that, like with most things, maintaining a sense of humor helps with the creative process.

About Me

I am a licensed psychoanalytically trained psychotherapist. I am also a hypnotherapist, Somatic Experiencing therapist, and an EMDR therapist.

I work with individuals and couples, and my office is convenient located in Manhattan.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.

To set up a consultation, call me at (917) 742-2624 during business hours or email me.

Working with Dreams to Develop Your Creative Imagination

Dreams and Your Creative Imagination:
I love working with dreams, my own dreams as well as clients' and friends' dreams. Dream work provides us with a unique opportunity to access our creative imagination in ways that are often not accessible to us in the normal waking state.

Working with Dreams to Develop Your Creative Imagination

What Do We Mean by "Imagination"?
The word "imagination" has gotten a bad rap in modern times, especially for adults. Often, when we hear the words "imagined" or "imagination," it has a negative connotation. We often think of these words as meaning something that is false, as in: "It was just his imagination." 

But the word "imagination" has a much broader meaning. When we can open up to our imagination, we open ourselves to our internal world of images, ideas, emotions, and our felt sense about ourselves and the world around us. 

We use our imagination to learn new things and to understand and develop new concepts. We also use our imagination to come up with creative solutions to everyday problems and in our creative endeavors. Most inventions were created with the inventor using his or her imagination to come up with new ideas. Often, these inventors came up with creative ideas through their dreams.

Children are usually much better attuned to their imagination and can enter into and out of imagined states or play with ease. They know the difference between imagination, play and everyday waking reality. But, somehow, for many of us, when we become adults, we often get the message that imagining and play are things that are left behind in childhood for the logical reality of adulthood. Even for some children who are scolded for daydreaming or "making up stories" from their imagination, they lose this precious skill early in life.

Remembering Your Dreams:
In order to do dream work, you must first remember your dreams. For most people who are motivated to remember their dreams, a simple suggestion before going to sleep as well as keeping a note pad and pen close at hand to jot down dreams is often enough to help you remember your dreams. It's important to write down your dream in the present tense as soon as you wake up.


We often think that we'll remember a dream only to have it slip away like vapor as soon as we focus on something else. Even if what you remember is only a snippet of part of a dream, write it down. By writing down even a snippet of a dream, you're giving your unconscious mind the suggestion that dreams are important. Usually, over time, snippets will develop into more in-depth memories of dreams.

Keeping a Dream Journal:
I recommend keeping a dream journal where you record your dreams. Keeping the dream journal in a safe and private place will allow you to feel free to write down your dreams without censoring yourself. Giving each dream a date and dream title and keeping an index is also very helpful in many ways. 

First, by giving titles to your dreams, you're giving your unconscious mind the suggestion that dreams are meaningful stories that you want to remember. Second, having an index of dream titles helps you to look back on particular themes.

How Does Dream Work Help Us to Access Our Creative Imagination?
When I do dreamwork with clients, I help them to get back into the dream state (also called the hypnogogic state) of the particular dream that we're working on. In this dream state, you have access to the images, emotions, and the felt sense of the dream.

A psychotherapist who is experienced with doing this type of dream work, such as Embodied Imagination, can help clients to access not only their own experiences in the dream but also tap into the experiences of the other characters in the dream. I've written about Embodied Imagination and Robert Bosnak in prior blog posts: (http://www.psychotherapist-nyc.blogspot.com/2011/01/dreams-and-embodied--imagination.html). I also recommend reading Robert Bosnak's book, Embodiment, available in paperback.

If you want to develop your creative mind while dreaming, you can also give yourself a suggestion before going to sleep to have creative dreams about the issue that you want to work on. This takes some practice, motivation, and patience. Using evocative imagery just before going to sleep is often helpful to incubate dreams on a particular issue.

When I work with clients who want to incubate dreams to come up with creative solutions for a particular problem or issue, I help them get into a relaxed state to use their imagination. This might involve having them focus on their emotional experience and desire related to this issue. 

I help them to sense into their experience using their five senses, as well as their imagination, emotions and felt sense. Then, before they go to sleep, they practice what we did in our therapy session for a minute or so before going to sleep in order to incubate dreams. Often, these experiences can be revelatory, accessing a deep sense of creativity that is not usually available to them in normal waking life.

I recommend working with a psychotherapist who has a psychoanalytic background and who has experience using Embodied Imagination to get the full experience of using your imagination and developing your creativity. But you can also benefit from paying attention to your dreams on your own to develop your creativity.

About Me

I am a licensed NYC psychotherapist, psychoanalyst, hypnotherapist, Somatic Experiencing therapist, and EMDR therapist.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.

To set up a consultation, call me at (917) 742-2624 during business hours or email me.

Books Imagination and Medicine

At any given time, I'm usually reading at least three or four books during the same period of time. Currently, one of the books that I'm really enjoying and recommend is called Imagination and Medicine edited by Stephen Aizenstat and Robert Bosnak.

Books: Imagination and Medicine

Stephen Aizenstat is a clinical psychologist, marriage and family therapist and founder of Pacifica Graduate Institute in California. Robert Bosnak, as I've mentioned in prior blog posts, is a Jungian psychoanalyst, also in California. Both Stephen Aizenstat and Robert Bosnak are also co-founders of the Santa Barbara Healing Sanctuary in Santa Barbara, California.

My favorite articles in this book include Robert Bosnak's "The Physician Inside," Marion Woodman's "Coming to a Door," Kimberley C. Patton's "Ancient Asklepieia: Institutional Incubation and the Hope of Healing," and Ernest and Katherine Rossi's "How the Mind and the Brain Co-create Each Other Daily."

I had the pleasure of participating in an Embodied Imagination dreamwork intensive recently with Robert Bosnak. To find out more about his dreamwork, visit the website: http://www.cyberdreamwork.com./

If you're interested in reading about cutting edge work with regard to medicine and the mind-body connection, I recommend this book, which is out in paperback.

About Me
I am a licensed NYC psychotherapist, hypnotherapist, Somatic Experiencing therapist, and EMDR therapist.

I work with individuals and couples.

To find out more about this book and similar books, go to: http://www.springjournaland books.com.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.   I work with individual adults and couples.

To set up a consultation, call (917) 742-2624 during business hours or email me.

Also see my articles:
Dreams and Embodied Imagination

Psychotherapy: Embodied Imagination

Working with Dreams to Develop Your Creative Imagination

Creative Imagination and Dream Work for Writers

Embodied Imagination Dreamwork

In my prior blog post, Dream Incubation: Planting Seeds, I discussed Robert Bosnak's Embodied Imagination dream incubation technique. As I mentioned, Embodied Imagination dream incubations are performed by psychotherapists or dreamworkers who have been trained in this technique as a way of helping to "plant seeds" in the dreamer's unconscious mind to work on areas that are important to the dreamer.

Embodied Imagination Dreamwork

These areas might include: health issues, creative blocks, relationship issues, career decisions, or any other areas of a person's life that are meaningful to him or her. Dream incubations have also been used to help actors with their roles.

In the fictionalized account from the last blog post, Donna's therapist assisted her to come up with a composite of the images, physical sensations, and emotions associated with her desire to overcome her creative block and increase her motivation to do her artwork. This composite consisted of the various trigger points in her body, and her therapist used these trigger points to help incubate a dream for Donna to overcome her creative block.

The following scenario is a continuation of the fictionalized account about Donna's incubation:

Donna spent a few minutes focusing on the trigger points related to her dream incubation every night, as her therapist suggested. Although Donna was aware that everyone has, on average, 4-6 dreams every night, during the first three days, Donna couldn't remember any dreams.

Embodied Imagination Dreamwork

But on the fourth day, she had a dream that she wrote down immediately upon waking up so she wouldn't forget it. She remembered that her therapist told her that it was very important to write the dream in the present tense. When she saw her therapist again, she recounted the following dream:

I'm in a coffee shop seated by myself. I notice an old friend, Nina, that I haven't seen in at least 10 years. I walk over to where she is. She's delighed to see me. We chat and get caught up with each other. The scene changes: Later on, I'm standing in the corridor of an apartment building. Somehow, I can see through the wall into Nina's apartment. I see her getting ready to go out to see an old boyfriend. Somehow, I know that she wants to get him back again. She's sitting in front of her dresser mirror and putting on makeup. I can only see her in the dresser mirror because she has her back to me. I notice how determined she looks. Her eyes are very intense. She is very focused on looking "just so" because she wants her date to go well.

According to the Embodied Imagination technique, Donna's therapist listened carefully to the dream and tuned into what resonated for her in the dream. Then, she asked Donna to tell the dream a second time in the present tense. Then, the therapist asked Donna for any associations to the dream. Donna responded by saying that she has always admired Nina for being someone who is very determined to get what she wants. Donna said that, in reality, Nina isn't as manipulative or as calculating as she came across in the dream. The dream presented Nina's determination in an exaggerated way.

Donna's therapist helped Donna to get into a waking hypnogagic state so that she could reenter the dream state. As previously mentioned in prior blog posts, Embodied Imagination is not about dream interpretation or dream analysis. The therapist started by helping Donna to feel the physical environment in the coffee shop. Once Donna resonated with the physical environment, she told her therapist what she noticed in the dream when she saw Nina, what emotions she felt, and where she felt them in the body. All the while, Donna was able to maintain a dual awareness of the here-and-now as well as the dream state.

Then, the therapist helped Donna to "transit" into the Nina character from the dream. She did this by, at first, having Donna descrbe how she felt about Nina and what she noticed in detail. As Donna got closer and closer to Nina's experience, at a certain point, the therapist asked Donna to allow herself to be "embodied" by the Nina character. She asked her to look through Nina's eyes, while, at the same time, maintaining an awareness of herself in the dream.

Donna was amazed at how much she was able to get from taking on the dream character, Nina's perspective. She felt Nina's determination through the energy in the eyes and the torso. She experienced it as an energy that started from just below her navel and came up through her body and out through the top of her head. She even felt the warmth of the energy as it circulated through her body.

Towards the end of the dreamwork, the therapist helped Donna to feel a composite of all the trigger points from her own dream character as well as Nina's trigger points. Donna had a strong felt sense of the images, physical sensations, and emotions from the dream. Her therapist helped her to blend together all of these trigger points to give Donna an integrated experience of the dream.

After they worked the dream, the therapist suggested that Donna use the composite, including the energy and determination of the Nina dream character, to overcome her creative block. She encouraged Donna to spend at least a few minutes every day practicing experiencing the composite of the trigger points in her body.

Over the next few weeks, Donna practiced experiencing the trigger points in her body.

Embodied Imagination Dreamwork

Whereas before, she had problems motivating herself to do her artwork, when she immersed herself in the trigger points from the dream, she felt renewed energy and vitality. Soon, she was able to return to her artwork with the passion that she had felt before.

Embodied Imagination dreamwork is not magic. It works best if you're working on something that is really meaningful to you.

To find out more about Embodied Imagination, visit their website: http://www.cyberdreamwork.com.

I am a New York City licensed psychotherapist, hypnotherapist, EMDR therapist, and Somatic Experiencing therapist.

I also enjoy using Embodied Imagination incubations and dreamwork.

I work with individual adults and couples.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.

To set up a consultation, call me at (917) 742-2624 during business hours or email me.

Jungian Workshop with Marita Digney, DMin.

During the last few weeks, I have been familiarizing myself with Jungian concepts as part of my preparation for an upcoming dreamwork intensive with contemporary Jungian analyst, Robert Bosnak. When I trained as a psychoanalyst at the Postgraduate Center for Mental Health (1996-2000), we studied everything from Freudian to contemporary/modern psychoanalysis, but we didn't study Jung.

Jungian Workshop With Marita Digney, DMin.

Learning about Carl Jung, his life, and how he developed Analytic Psychoanalysis has been a very enjoyable process for me. I've noticed that, lately, there has been a lot more dialogue among Jungian analysts, Freudians, neo-Freudians, and contemporary psychoanalysts which, in my opinion, is long overdue. As I acquaint myself with Jung, I see that many Object Relations and other contemporary non-Jungian psychoanalysts have been influenced by Jung.

I consider myself to be eclectic and an integrationist of many different ways of working. I often combine psychodynamic ways of working with EMDR, Somatic Experiencing, clinical hypnosis, and ego states work. No one way of working will be good for all clients, so I enjoy having many different ways and combinations that I can use to suit the particular client's needs.

During the last several years, I've become dissatisfied with the mainstream psychoanalytic concepts for dream analysis/dreamwork that I learned while I was in psychoanalytic training. As I mentioned in my January 30th blog post, when I saw Jungian analyst, Robert Bosnak, demonstrate his work at the annual NIP psychoanalytic dream conference in January of this year, I became excited about his method of dreamwork called Embodied Imagination (see my January 30, 2011 blog post: Dreams and Embodied Imagination).

Embodied Imagination dreamwork fits in very well with my mind-body-oriented way of working in psychotherapy, especially when combined with clinical hypnosis and/or Somatic Experiencing.

As part of my preparation for Robert Bosnak's dream intensive workshop, aside from reading books about Jungian theory, I attended a recent workshop at the Jung Foundation in NYC called "Original Harmony: Poetic Resonance in the I Ching and the Bible" presented by Marita Digney, DMin.  Dr. Digney is a licensed psychologist, a Jungian analyst trained at the C. G. Jung Institute Zurich. She is presently an intern chaplain at the University of Virginia CPE program. She has a private psychotherapy practice in the Blue Ridge Mountains in VA.

Dr. Digney's presentation focused on the symbolic parallels in the I Ching and the Bible as it relates to Jung's concept of individuation and the archetype of initiation. The first part of her presentation was a review of the various stages of initiation: separation ("the call"), ordeals, encounter with the divine, and return. She talked about male and female initiatory rites in various tribes as well as contemporary initiations in our own society.

As I've mentioned in a prior blog post, we often don't think of initiations as a concept in modernity. However, even though we might not think of them as initiations, as a modern society, we do engage in certain rites of passage in our everyday life that can be viewed as initiations: spiritual rites (baptism, communion, confirmation, Bar and Bas Mitzvah), Sweet 16, the high school prom, high school and college graduation ceremonies, fraternity and sorority initiations, and even gang initiations. All of these are examples of rites of passage in our culture.

In the afternoon, Dr. Digney had the audience randomly break up into various groups for the experiential part of the workshop. There were three practice groups: "the anthropologists," "the analysts," and "the poets." I was grouped in with "the anthropologists."

Then, she provided a question that was posed in one of her groups from another workshop that could have been posed to the I Ching. "The anthropologists" had to come to a consensus as to which phase of initiation (separation "the call", ordeals, encounter with the divine, or return) this question represented. After "the anthropologists" decided on the phase of initiation, "the analysts" analyzed the stage of individuation. Following that, "the poets" selected which complementary passages from the Bible and the I Ching best represented that stage of individuation.

The question that Dr. Digney provided to us to analyze was: "What about my pursuing my psychoanalytic training this year?" The query was made from a former group participant who was contemplating starting analytic training that year and was consulting with the I Ching for information on the advisability of starting this long process.

As you might expect, this question had elements of all four initiatory stages, and it was up to my group to come to a consensus on which stage we would choose.

A case could be made for it being part of the the separation ("the call") stage of initiation since contemplating this type of change (and similar changes) could represent "a calling" to do this type of work with people. In addition, while contemplating such a change and also while undergoing psychoanalytic training, there are separations to contend with regarding time away from loved ones to devote to study, conducting psychoanalytic sessions with clients, one's own psychoanalysis at least three times a week; and a "separation" from a good deal of money for the expense of the training and multiple sessions per week of personal analysis.

This question could also be looked at in terms of the ordeals that would be involved. Although psychoanalytic training is usually very stimulating and enjoyable on many levels, like any big change, it involves ordeals: financial, time, challenges to one's established views, the "fish bowl" effect of being viewed by psychoanalytic instructors and personal analysts in a consuming and intensive training where one is immersed on many levels.

For many people contemplating becoming a psychoanalyst, there is some form of soul searching about undertaking such a big commitment. This soul searching might involve an "encounter with the divine" (or not) as one questions whether or not to pursue this rigorous training.

Jungian Workshop with Marita Digney, DMin

The initiatory stage of returning (usually returning to the community to contribute in a worthwhile way) can also be viewed as a returning to oneself (to one's inner world), once again, as a soul searching for what's important to oneself.

With regard to the question that Dr. Digney presented to us to discuss, our group was divided between two stages: separation ("the call") and ordeals. After some discussion, we chose the initiatory stage of ordeals as being the best choice, but we also recognized the important aspect of feeling a "calling" (as part of the separation phase) to do this type of work.

"The analysts" group discussed our choice and decided that the ordeals relating to the original question about whether to pursue analytic training or not in the current year represents the archetype of the Self in terms of individuation.

"The poets" group found many relevant complementary passages in both the Bible and the I Ching. Never having compared the Bible and the I Ching, I was surprised at how many parallels could be found in both books. Many of them had beautiful poetic resonance.

Doing this group exercise was a form of experiential learning that was so much more meaningful than if the presentation had remained on a didactic, cerebral level.

About Me
I am a licensed psychotherapist in New York City.

 I work with individuals and couples.

I provide contemporary psychotherapy, clinical hypnosis, Somatic Experiencing and EMDR therapy in my private practice in NYC.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.

To set up a consultation, call me at (917) 742-2624 during business hours or email me.

Dreams and Embodied Imagination

NIP Annual Conference: "New Worlds of Psychoanalytic Dream Work"

Dreams and Embodied Imagination

I attended an intriguing annual conference at NIP (National Institute of Psychotherapies) called "New Worlds of Psychoanalytic Dream Work" here in NYC. 

Their first speaker was the world-renown Dutch Jungian psychoanalyst, Robert Bosnak. Mr. Bosnak has developed a very exciting and innovative way of working with dreams that he calls Embodied Imagination.

During the conference, Mr. Bosnak explained Embodied Imagination and then gave an amazing live presentation of his work. The woman who volunteered to present her dream was someone who Mr. Bosnak had worked with mostly through Skype, since she lives in NYC and he currently lives in California, for a short time, as preparation for the conference. He was not her primary therapist.

Borrowing from the early Greek healing arts involving healing incubation, where people who wanted healing went to the Temple of Aesklepius, prior to the conference, Mr. Bosnak asked this volunteer to focus every day on certain health symptoms that she was experiencing in order to "incubate" a healing dream.

As you may know, the early Greeks went to the Temple of Asklepius hoping that they would meet the healing god in their dreams so that they could be cured of their medical problems. In those days, people didn't think of their dreams as being symbolic--they believed that if they had a dream where they saw the healing god, Aesklepius, it was as real an experience as any waking experience.

During the conference, Mr. Bosnak demonstrated his phenomenological technique of Embodied Imagination while he induced a hypnogogic state in the dream volunteer. (The hypnogogic state is the state between waking and sleeping.) His work is a very big departure from traditional or even contemporary psychoanalytic traditions of doing dream work.

Dreams and Embodied Imagination

As he went over the dream with the dreamer, he asked her not only to embody her dream self in her imagination, but also to embody other people and inanimate objects in her dream. 

Rather than experience these people and objects as if they were parts of herself, as she might in parts work or in Gestalt therapy, Mr. Bosnak asked the dreamer to use her imagination to become each of these people and objects in the dream and related their experiences, including inanimate objects like a car.

Notwithstanding the fact that there were at least 300 psychoanalysts and psychotherapists in the room, Mr. Bosnak and the dream volunteer did amazing work, which appeared to be healing for the particular type of medical problem that she was having. 

It is noteworthy that Mr. Bosnak didn't know anything about the dream beforehand. He was hearing it for the first time with the rest of us.

We could see how they both got to material in the dream that they probably would not have accessed if they approached the dream in the conventional manner. It was very exciting, to say the least, to observe this. For most of us in the room, it was a challenge and an invitation to consider how we work with dreams.

Mr. Bosnak has moved away from the conventional idea that dreams have a defensive structure. He also does not work with what is often described as manifest (what is obvious) and latent (what cannot be readily seen) content in his work with Embodied Imagination.

If you have been reading my blog, you are probably aware that I'm very interested in the mind-body connection in my work, so I'm always interested in hearing new techniques for working in this way. Some of Mr. Bosnak's methodology reminded me of Somatic Experiencing, which is a modality I already use in my psychotherapy private practice

Most people who are familiar with Jung's work know that he worked with what he called Active Imagination. He also used Active Imagination in his Red Book. However, Mr. Bosnak seems to have gone beyond Active Imagination.

Robert Bosnak has traveled all over the world, and he has witnessed many different ways of working with dreams phenomenologically, including working with dreams shamanically. He reminds us that how we perceive dreams is very much tied to our cultural understanding.

Just before going to sleep last night, I began to read Robert Bosnak's book, Embodiment - Creative Imagination in Medicine, Art and Travel. I got up to Page 5 when I dropped off to sleep and I had the following dream:

I'm talking to Mr. Bosnak about his method of working with dreams. We're sitting face-to-face at close range. I'm mostly listening to him very intensely and thinking about how I can use this method of doing dream work with my clients. As I take in this new way of working with dreams, I feel very excited and slightly frustrated. Then, I realize and think to myself, "Time is the key. He slows everything down and gives the work lots of time."

When I woke up, I wrote down this dream as well as several other dreams that I had last night.

After I wrote down my dreams, I picked up Mr. Bosnak's book, Embodiment, and began reading again. I was surprised and delighted to find that when I resumed reading and got to the next page, Page 6, he talks about time and the slowness of time when transitioning from the dreaming to the waking state. I felt as if Mr. Bosnak and I had an actual conversation about Embodied Imagination and the nature of time in this work, and here it was confirmed when I resumed reading his book.

It's a fallacy when some people say that they either don't dream or they rarely dream. Everyone dreams at least five dreams a night, but not everyone remembers their dreams.

Whether or not you remember your dreams has a lot to do with how you wake up. If you're someone who takes a while to transition from the sleep state to the waking state, transitioning slowly so that you still retain the feeling state that you were in while you were sleeping, you're more likely to remember your dreams. However, if you tend to wake up suddenly without making that slow transition, you're less likely to remember your dreams.

If you're interested in learning more about your dreams, which are often a rich source of information, I recommend that you keep a pad and pen by your bed. Having a strong intention and telling yourself that you want to remember your dreams before you go to sleep helps to give your unconscious the message that dreams are important to you.

When you wake up, rather than jumping out of bed, take a few moments to stay immersed in the dream state. Especially, do not change your position. So, for example, if you're lying on your left side, don't turn around right away. Remain like that for a few moments and allow the details of the dream to emerge.

Then, write down your dreams in the present tense as if you're still in the dream. Even if it's a fragment of a dream, write down whatever you remember. Usually, you'll find that, as you begin to remember your dreams from the night before, you'll remember them in reverse order, with the last dream first (the dream closest to waking up) and then the next to the last dream, and so on.

Dreams and Embodied Imagination

Very often, if you write down your dreams, over time, you begin to see interesting synchronicities between your dreaming and waking states. I believe that this isn't as unusual as most people think and that, over time, most people can tap into this inner resource. I believe it's a natural ability that most of us have if we're willing to develop it.

Several years ago, when I was working on my dreams every day, I saw very interesting synchronicities. I also had precognitive dreams where I dreamt about certain things happening before they actually happened. I didn't have any earth-shattering premonitions about world events--they were mostly personal incidents in my life. My point is that I saw a connection between paying attention to my dreams and the ability to tap into an inner precognitive resource.

If you want to find out more about Robert Bosnak's method of Embodied Imagination and his way of working with dreams, you can visit the website for the Embodied Imagination Institute: www.cyberdreamwork.com. You can also read his book, Embodiment, which is written in an accessible way.

Mr. Bosnak also heads up the Santa Barbara Healing Sanctuary, and you can visit their website at: www.sbhsanctuary.com.

About Me
I am a licensed New York City psychotherapist, hypnotherapist, EMDR, AEDP, EFT, Somatic Experiencing therapist.

I work with individual adults and coupls.

I have been fascinated by dreams since I was a teenager and I enjoy doing dream work with my clients. Dream work often helps clients to gain a perspective of themselves and others that they wouldn't ordinarily otherwise have access to in other ways. 

I also enjoy using clinical hypnosis to re-enter the dream state, and I have found this to be very useful to clients.

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist.

To set up a consultation, call me at (917) 742-2624 during business hours or email me.