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Saturday, June 11, 2011

Dream Incubation - Planting Seeds

During a recent dream intensive training with Dutch Jungian analyst, Robert Bosnak, I learned an extraordinary technique, which is part of Mr. Bosnak's Embodied Imagination technique, called dream incubation. In a prior blog post Dreams and Embodied Imagination, I wrote about his Embodied Imagination mind-body psychotherapy.

What is Dream Incubation?
Dream incubation has been used for thousands of years. The ancient Greeks visited the Temple of Asklepius in Epidauros, Greece to have a healing dream to cure themselves or loved ones from illness. Asklepius was the god of healing. The cult of Asklepius was very popular around 350 BC. Many people came to the Temple of Asklepius in hopes of incubating a healing dream, which they believed to be sent to them from the god Asklepius. If they had dreams, temple priests helped them the next day to understand the dreams and the healing messages from the dream so they could cure their illnesses.

Asklepius the god of healing


The Ruins of the Temple of Asklepius in Epidauros, Greece
Embodied Imagination Dream Incubation:
In Robert Bosnak's Embodied Imagination, if you want to incubate a dream, you work with a dreamworker who has been taught this technique. The purpose of incubation is to have dreams about something that you really want and use what you learn from those dreams to attain your goal. You are more likely to have dreams related to your incubation if it's something that you really desire. In his private practice in California, Mr. Bosnak works with clients who have chronic illnesses (cancer, AIDS, and other chronic medical problems). But dream incubation can be used for problems related to your relationships, career, creative endeavors, or any other areas where you might feel stuck and need help or inspiration.

Embodied Imagination and the Mind-Body Connection
There are many different types of dream incubation techniques. Most rely solely on the power of suggestion using cognitive methods. What I really like about Embodied Imagination dream incubation is that, like its name suggests, it incorporates the mind-body connection.

As previously mentioned, to use the Embodied Imagination mind-body technique of dream incubation, you need to work with at least one person or a group of people who know the method and can help you to "plant the seed" for the dream incubation. Even if you know the technique, it's hard to do for yourself. To start, the dreamworker asks you to remember a time when you really desired and were most in touch with the thing that you're trying to incubate.

The following fictionalized vignette will give you an idea of how Embodied Imagination dream incubation works:

Donna:
Donna is an artist in her mid-30s. Up until a year ago, Donna was passionate about her artwork. Her paintings had been shown in NYC galleries, she has received very favorable reviews, and she has been able to support herself through her art. But during the last year, following a very successful art show, she has felt "stuck" and uninspired. Whenever she has tried to paint, she found herself staring at the empty canvass for long periods of time feeling anxious and frustrated. At first, she was not overly concerned, but as time went on and she was unable to overcome her creative block, she began to wonder if she would ever be able to paint again.

When a year had gone by without her being able to paint a thing, she decided to see a psychotherapist in NYC who was familiar with Embodied Imagination dream incubation technique. Since she had always been a very visual person with vivid dreams, Donna decided to see if she could overcome this unconscious creative block through Embodied Imagination dream incubation after hearing from a close friend about how well it worked for her to overcome issues in her relationship.

After getting Donna's history, the psychotherapist asked Donna about the last time that Donna felt most in touch with her desire to paint. Donna had to think about this for a few minutes, and then she remembered a specific memory of a day when she was immersed in her art work, feeling passionate and creative. At that point, the work flowed for Donna. She felt that it was almost effortless.

As Donna described this memory, the psychotherapist helped her to slow down so Donna could enter into a waking hypnogagic state. Hypnogagic states are states that we all experience just before falling asleep or waking up. We might not always be aware of it at the time, but the hypnogagic state is that in-between state between being asleep and awake. People have often described the hypnogagic state as a feeling of floating. (Lucid dreams, which are dreams where you know you are dreaming, occur most often in the hypnogagic state. But that's a topic for another blog post.)

The therapist helped Donna to experience the time and place of this memory, which happened to be in an art studio that Donna shared with several others artists. As part of this memory, Donna remembered that another artist, Susan, who shared the space, stopped by to see what Donna was working on. Donna talked about how she had always admired Susan and her work. She also liked how passionate Susan was about the creative process. Susan was 10 years older than Donna. Donna considered her to be a mentor of sorts. Donna knew that Susan had gone through her own creative slumps, but Susan seemed to always find a way out of them. In Donna's eyes, Susan was very energetic and she had a positive attitude most of the time.

Using Embodied Imagination techniques, first, the therapist helped Donna to bring herself back to the art studio and sense what that felt like in her body. She helped Donna to really feel her emotions from that memory of doing her art work that day (the passion, happiness, excitement, and creativity) and feel into where she felt those emotions in her body. As Donna closed her eyes and felt into her body, she felt the happiness and excitement in her chest, and she felt the passion in an area just below her navel. The therapist worked with Donna to help her to deepen and amplify these feelings. She also helped Donna to anchor these feelings as trigger points in her chest and lower abdomen.

Once these feelings were anchored in Donna's body, the therapist directed Donna back to the memory and asked her to observe Susan in her mind's eye. When Donna had a clear picture of Susan, the therapist asked Donna to describe what she saw starting with a basic description of Susan (what she looked like, what she was wearing, how she was standing, etc). Then, she asked Donna to sense into Susan emotionally. At first, Donna began telling the therapist what she thought, but the therapist redirected her away from her thoughts and more into her sense impression.

Embodied Imagination is not about your thoughts--it's about your sense impressions or sense memories from your body. This is similar to what actors do when they use sense memories to embody a certain character or role. (As I mentioned in an earlier blog post, Embodied Imagination is used with actors, including the actors of the Royal Shakespeare Co.)

When we're asked to sense something, we tend to go to our thoughts, since that's how we usually relate to the world. But in Embodied Imagination, going with your thoughts can lead to unintentional fabrication (just making it up or making up what you think it should be). This defeats the purpose of Embodied Imagination.

So, Donna took a few moments to go back to her sense impressions and she felt into her experience of Susan from the memory of that particular day. As she looked at Susan in her mind's eye, she sensed Susan's enthusiasm, excitement, happiness, and her inspiration. Now that they were back on track, the therapist helped Donna to get closer and closer to Donna's experience.

At a certain point, the therapist helped Donna to "transit" into Susan's experience. In Embodied Imagination, transiting into another person's experience is sensing into that experience until you feel embodied by it. All the while, Donna maintains a sense of dual awareness, much in the same way that a person maintains dual awareness in hypnosis. In both methods, the person maintains a sense of the here-and-now as well as the there-and-then.

According to Robert Bosnak, who describes himself as a phenomenologist, transiting in Embodied Imagination is very different from Gestalt therapy. In Gestalt therapy, Donna's sense of Susan's experience would be considered to be a part of Donna. In Embodied Imagination, we do not consider Susan's experience to be a part of Donna. In fact, we have no preconceived ideas about this phenomenon. We just experience it.

Once the transit is complete and Donna feels embodied by her experience of Susan, while maintaining dual awareness of the here-and-now, Donna describes her experience of "Susan-ness." With the therapist's help, she is able to sense into the experience and identify Susan's various emotions and where she feels these emotions in her body.

All the while, the therapist is helping Donna to deepen and immerse herself in this experience. Generally, the waking hypnogagic state is a relaxed state. Accessing the hypnogagic state deepens and strengthens the experience more than just "thinking about" the memory.

The therapist assists Donna to anchor the embodied emotions that she senses from Susan. Combining Donna's anchored embodied emotions with Susan's, the therapist helps Donna to form a composite of this experience in her body so she can hold all of these experiences together. Robert Bosnak, who is a Jungian, uses the metaphor of the alchemist who combines and stirs all the alchemical ingredients to bring about a transformation.

Once Donna has all of these experiences anchored in her body, she returns to ordinary consciousness and the therapist gives her a diagram that she has made for Donna that represents the composite. The diagram is a body map consisting of the general contours of a body with all of the anchor points labeled with the location and the corresponding emotions.

The therapist instructs Donna to meditate on the composite with all of the corresponding emotions and anchor points in the body every night for a week to incubate a dream to inspire Donna to overcome her creative block. Donna will need to do more than just think about it--she will need to feel the feelings from the dream incubation in her body. Since her creative blocks is a problem that Donna really wants to overcome, she is highly motivated and she uses the composite every night just before going to sleep to incubate dreams about her problem.

Once Donna has incubated one or more dreams, she brings them to her therapist, who uses Embodied Imagination techniques to assist Donna with the dreamwork. Very often, people who have dreams after an Embodied Imagination incubaton don't always recognize these dreams as being related to their incubation, which is why it is important to work with a therapist who knows Embodied Imagination.

I am a licensed psychotherapist in NYC. I use clinical hypnosis, Somatic Experiencing, EMDR, psychodynamic psychotherapy, and other mind-body oriented psychotherapy techniques. I work with individuals and couples.

I also enjoy doing Embodied Imagination dreamwork, which is a creative method to help clients overcome problems where they feel stuck.

To find out more about Embodied Imagination, see Robert Bosnak's website: http://www.cyberdreamwork.com

You can also read his book called 
Embodiment - Creative Imagination in Medicine, Art and Travel 

To find out more about me, visit my website: Josephine Ferraro, LCSW - NYC Psychotherapist

To set up a consultation, please call me at (212) 726-1006.

Also, see my articles about Transforming Nightmares Through Creative Dream Work
and Dreams and Embodied Imagination


Photo Credits:  Photo Pin









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